Passepartout is all about documentaries and visual stuff I find worth seeing.

Tuesday, 2015.

This is how I feel these days, only I’m not paving the way for much and at least this chimp went into space. Me. Not. Even. Close.

His name was Ham and this was 1961.

On a totally different note, I don’t have time for any of my long planned ‘complex’ posts. Not. For now.

Meanwhile here’s an article about Ham in Life Magazine.


Oversized: surreal photos of animals in the middle of the city reminding they used to be welcome there too

Liu Di is a Chinese photographer and his Animal Regulation series is about breaking mental patterns of what our cities look or should look like, and have a thought of two about animals and how urban growth impacts them, or to be more accurate, excludes them from our life. Now that’s a good subject for reflection, and I know a thing or two about this. I could tell you about the fox I met in my street because we’re basically expanding our neighborhood on her land and she kinda lost her way. I could tell you about the hedgehog shelter I volunteered at, where wounded hedgehogs come to get better after being hit by something while trying to cross the street, because they do remember their home used to be on the other side. Or I could say nothing, nothing at all, just wish everyone not to see concrete and flats out of their windows, but green and animals, or even a giant bunny or an elephant (my guess is that the huge frog won’t be most people’s first choice).

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Not your usual family picture: portraits of farm animals

Glossy magazine-like, Rob MacInnis‘ photos of farm animals point at two issues: the way we consume images, and the way we consume these cool fury guys. I find the images bitter-sweet. I’m not so touched by the consuming images issues, but certainly touched by the thought of the ‘real life and destination’ these animals have.

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No place to call home: the sadness of animals in the zoo

I’m one of those people who jumps over the ‘not allowed’ fences in the zoo, pets the zebras and sometimes feeds biscuits to the bears. And now I’m one of the people who’s heart is broken, and who is not sure whether she should jump more fences or less or push them all down. Toni Amengual‘s photo series called Necrofilia I portrays the sadness of animals who got this awkward job that they never asked for, that is to be in a confined space for entertainment and observational purposes. But living in captivity impacts their psychological well-being. And facing this reality is not entertaining at all.

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Hidden Kingdoms (2014, BBC-Earth team)

BBC docs about nature and animals are super beautiful, but not precisely my kind of docs. It’s often difficult for me to begin watching them and if I do begin watching, it is difficult to stay awake to the end. But this one’s different. Hidden Kingdoms is a mini-series nature documentary that makes you see life from different animals’ perspective. And it’s for sure one of those beautiful and sensible films that can make you feel reassured that the world is actually beautiful and not as bad as the news say. Well, at least until the bird catches the mouse and other terrible scenes of behaviors I don’t agree with.

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A photo can speak 1000 words – but does it speak the right ones?

Every now and then, someone (re)discovers photos of the traditional yearly whale fishing in the Danish Faroe Islands. He or she posts the link or the photo(s) on a social media channel, and then, the reactions begin. They are always the same, always emotional and always predictable. The truth is that the photos are quite intense, super bloody to be more specific. The truth is also that a discussion about this practice seems necessary. But never in the years since I came to learn about this practice myself have I seen one decent discussion based on arguments.

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